Gas #2
Artist(s)/Author(s): Olivia Mole, Ann Hirsch
Format: Book
Keywords: love, Technology, Gender, porn
Edition: 100
Publisher: Gas Gallery
Date Published/Produced: 1/7/2018
Date Aired/Exhibited: 1/7/2018
City Produced/Published: Los Angeles
Reference Number: OS.31457.Mo
Location: Oversized Stacks
Acquisition Date: 2/23/2020
Description:

This issue features a conversation with artist Ann Hirsch regarding her series Cuts and the script from Olivia Mole’s piece Dud Ankress.

This zine was created in conjunction with the exhibition Liquid Love at Gas.

Artists: Cara Benedetto, Kathy Cho, Sophia Le Fraga and Rindon Johnson, Ann Hirsch, Rollin Leonard, Olivia Mole, Small Things, Angela Washko, Yelena Zhelezov

Exhibition Description:

Liquid Love brings together works that consider expressions of love, desire, and affection when these basic human needs are highly mediated and manipulated for profit by technological platforms. The show takes its title from sociologist Zygmunt Bauman’s 2003 book, where he argues that the logic of the capitalist market has thoroughly infiltrated the modern individual’s approach to relationships, as realized in everything from counseling fads to online dating. Citing widespread detachment and isolation, Bauman warns against the corrosive influence of consumerism on human bonds at all levels. By presenting a complicated picture of contemporary human connection, Liquid Love reflects on our ability to connect, romantically or otherwise, under neoliberal capitalism through and within our tools.

 

ABOUT GAS

Located in a truck gallery parked around Los Angeles and online, Gas is a mobile, autonomous, experimental and networked platform for contemporary art.

Gas collaborates closely with artists to create experiences that foster community and connection while imagining alternative forms of cultural and critical production. The space’s inherently itinerant format reflects the fluidity of twenty-first century culture and art practice, while also allowing considerable independence and creative freedom in terms of concept, site, format, audience, and engagement. Gas offers an opportunity to rethink why, where and how we view art, whether the encounter happens while surfing the web or driving around Los Angeles, a city defined by its sprawl and car culture.

Each season, Gas presents one thematic exhibition that includes works in the gallery and online. All shows include a fundraiser edition and a zine publication.

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