Correspondence is a biannual tabloid, publishing pairs of works for the page, web, and ear, as openings into artistic practices and relationships.
Correspondence 3.1 considers artistic practice in the ever-changing context of a climate emergency. With a particular focus on materials, this issue contains contributions by Raewyn Martyn, Isabella Loudon, Melissa Macleod, Claudia Dunes, Hana Pera Aoake, Te Kawehau Hoskins and Alison Jones, and Loulou Callister-Baker.
We hope you'll be able to pick up a copy from one of our listed distribution points below. However, you can also enjoy this issue by downloading the full PDF, by listening using your screen reader, or by listening to the audiobook below.
Please note that the HTML text version of Correspondence 3.1 on this webpage is intended mainly for screen readers. If you're a sighted person, you might better enjoy the thoughtful design qualities of the downloadable PDF and print versions. The audiobook is there for all audiences to provide as an alternative way to engage with the contributions in this issue.
Started by former Writing and Publications Coordinator, Hamish Petersen, Correspondence is a biannual tabloid produced by The Physics Room which explores forms of art writing in Aotearoa. Correspondence 3.1 is edited by Orissa Keane and designed by Erin Broughton.
Contents
Orissa Keane, Conversations about the weather can no longer be regarded as small talk
Raewyn Martyn, Circles & Lines
Material costs: A conversation between Isabella Loudon, Melissa Macleod and Orissa Keane
Claudia Dunes, documentation from Proposition For Future Pet, 2020
Hana Pera Aoake, Meeting the Lake
Te Kawehau Hoskins and Alison Jones, an extract from Non-Human Others and Kaupapa Māori Research
Loulou Callister-Baker, Melancholic Mellonella
Contributor biographies
-KJ
