110 loose-leaf pages, double casette compilation
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Helga Fassonaki began the Khal project in 2014 while living in Tabriz, Iran. Because the use of her voice as a woman in public performance was restricted, Fassonaki sent compositions in the form of sculptural scores to sixteen female artists and musicians living in different cities and parts of the world. The scores were interpreted and performed publicly by these artists in lieu of Fassonaki’s ability to do so.
These living scores were then passed on to additional female artists and musicians, creating an open book of socio-spatial exchange. As the series unfolds from one event to another, a cumulative composition of voices and actions will continue to grow until the law inhibiting artistic expression ceases to exist. This ongoing exchange and peaceful protest refers to the derogatory use of the Farsi word “khal,” coined to describe the passage of Iranian pop music in the form of homemade mixtapes. Once pop music was no longer being produced or sold in Iran after the Islamic Revolution, the Los Angeles Persian community sent mixtapes to residents in Iran so they could listen to their own country’s pop stars. Fassonaki remembers partaking in this movement when she was a kid residing in Los Angeles. The steady flow of cassettes soon became state-approved in Iran, an example that gentle poetic actions can push through governing law.
The original recipients of Fassonaki’s scores include: Marcia Bassett (Zaïmph), Christina Carter, Angel Chirnside, Kali. Z. Fasteau, Chiara Giovando, Jenny Gräf, Kelly Jayne Jones, Kathleen Kim, Heather Leigh, Rachael Melanson (Ro Sen), Shana Palmer, Ashley Paul, Purple Pilgrims, Matana Roberts, Rachel Shearer, and Gabie Strong.
Additional participating artists include: Yasi Alipour, Mira Billotte (White Magic), Jo Burzynska (Stanier Black-Five), Zahra Killeen Chance, Ella Chau Yin Chi (French Concession), Nazanin Daneshvar, Suki Dewey, Beth Ducklingmonster, Helen Greenfield (Mela), Hermione Johnson, Sarah Kelleher (Misfit Mod), Jessika Kenney, Pauline Lay and Ang Frances Wilson, Elizabeth Mary Maw, Maryam Bagheri Nesami, Tina Pihema (Piece War), Fariba Safai, Julia Santoli, Laura Sofia, Joan Sullivan, Gemma Syme (Instant Fantasy), twelve anonymous artists in Tabriz, Iran, and more as the series continues.
Iterations of Khal were exhibited at Glasshouse, Los Angeles Contemporary Archive, Disjecta, the Auricle Sonic Arts Gallery, the 2015 Audacious Festival of Sonic Arts, Audio Foundation, Viewfinder, and Nga Taonga Sound & Vision.
- ECN
