Browse Newest Items
| Title | Artist(s)/Author(s) |
Date Acquired |
Reference # |
|---|---|---|---|
| Vistas 6: Sarah Grilo and José Antonio Fernández-Muro | Sarah Grilo, Jose Antonio Fernandez-Muro | 2/25/2022 |
ST.32822.GR
|
| Terry Mason | Terry Mason | 2/25/2022 |
OS.32823.MA
|
| José Antonio Fernández-Muro: Geometry in Transfer | Jose Antonio Fernandez-Muro, Megan Kincaid | 2/25/2022 |
ST.32825.FE
|
| José Antonio Fernández-Muro: Geometry in Transfer | Jose Antonio Fernandez-Muro | 2/25/2022 |
ST.32826.FE
|
| Harm Reduction and Overdose Prevention [2019] | Jen Shear | 2/25/2022 |
B.32794.SH
|
| Black Ecologies | Imani Jacqueline Brown | 2/25/2022 |
ST.32796.BR
|
| Bat's Belly | Lauren Quin | 2/25/2022 |
ST.32798.QU
|
| Dissent Without Modification | Grace Ndiritu | 2/24/2022 |
ST.32779.ND
|
| Becoming Sisters: Women Photography Collectives & Organizations | Aldeide Delgado | 2/24/2022 |
ST.32780.DE
|
| The San Quentin Project | Nigel Poor | 2/24/2022 |
ST.32784.PO
|
| Out of Place, In Place | FutureFarmers | 2/24/2022 |
ST.32785.FU
|
| ( ghost gestures ) | Gabrielle Civil | 2/24/2022 |
ST.32787.CI
|
| The Sovereign | Andrew E. Colarusso | 2/24/2022 |
32788.CO
|
| Fiona Connor, +1 310 951 9459 | Fiona Connor | 2/24/2022 |
ST.32789.CO
|
| The Housemate | Kevin O’Meara | 2/11/2022 |
OS.32762.OM
|
| Sarah Cain | Sarah Cain | 2/11/2022 |
ST.32764.CA
|
| Portraits | Tyler Matthew Oyer | 2/11/2022 |
ST.32765.OY
|
| BLUE LINE | Valerie J. Bower | 2/11/2022 |
ST.32769.BO
|
| Units | Seth Lower | 2/11/2022 |
ST.32770.LO
|
| Racial Disparity and the Plight of the African American Female | Sarah Gail Armstrong | 2/11/2022 |
FS.32772.AR
|
| OIKOS | Chloe Tsolakoglou | 2/11/2022 |
OS.32754.TS
|
| CUD | Giulia Bencivenga | 2/11/2022 |
OS.32755.BE
|
| HOLEPLAY | Dan Schapiro | 2/11/2022 |
OS.32756.SC
|
| dollop | Christina Svenson | 2/11/2022 |
OS.32757.SV
|
| 2424 | Valentino Velez | 2/11/2022 |
OS.32758.VE
|
| b-sides: loose translations | Kayla Ephros | 2/11/2022 |
OS.32759.EP
|
| Christmas Poems for the Elderly | Matia Emsellem | 2/11/2022 |
OS.32760.EM
|
| Organizing Power Volume 2 | Jessalyn Aaland, Various Artists, Ana Fox-Hodess, Paul Morgan, Martin Oropeza | 1/28/2022 |
OS.32734.AA
|
| Prison Landscapes | Alysse Emdur | 1/28/2022 |
ST.32735.EM
|
| A Paseo through Time in Florence-Firestone | Jeannene Przyblyski | 1/28/2022 |
ST.32737.PR
|
| Franklin Furnace: Performance & Politics | Martha Wilson, Oraison H. Larmon | 1/28/2022 |
B.32739.WI
|
| Bridging the Centuries: History of Chinese Americans in Southern California | Chinese Historical Society of Southern California, Susie Ling | 1/28/2022 |
ST.32742.CH
|
| If They Can Do It, Why Can’t We? | Ian Byers-Gamber | 1/28/2022 |
OS.32744.BY
|
| If They Can Do It, Why Can’t We? | Ian Byers-Gamber | 1/28/2022 |
OS.32745.BY
|
| Pushing and pulling, pulling and pushing | Mike Kelley | 1/21/2022 |
ST.32698.KE
|
| Transcendent Waves | Lavender Suarez | 1/21/2022 |
ST.32731.SU
|
| As Is | Noah Purifoy, Susan Morgan | 1/21/2022 |
ST.32706.PU
|
| Organizing Power Volume 1 | Jessalyn Aaland, Various Artists, Ana Fox-Hodess, Paul Morgan, Nat Naylor, Tanna Tucker | 1/21/2022 |
OS.32733.AA
|
| Today | Luca Nino Antonucci | 1/21/2022 |
ST.32707.AN
|
| Lennox: A Colorful Place to Land | Harry Gamboa Jr. | 1/21/2022 |
ST.32709.GA
|
| East Rancho Dominguez | Thomas Lawson | 1/21/2022 |
ST.32711.LA
|
| Medium Emotions | Jess Willa Wheaton | 1/21/2022 |
ST.32712.WH
|
| Athens: Every Word Said | Nicole Miller | 1/21/2022 |
ST.32715.MI
|
| Laura | John Vogler | 1/21/2022 |
OS.32718.VO
|
| Piecing Together Los Angeles: An Esther McCoy Reader | Susan Morgan, Esther McCoy | 1/21/2022 |
ST.32719.MO
|
| Movie Memory | Luca Nino Antonucci, Mitsu Okubo | 1/21/2022 |
OS.32720.AN
|
| Facing the Music: Documenting Walt Disney Concert Hall and The Redevelopment of Downtown Los Angeles | Allan Sekula | 1/21/2022 |
ST.32722.SE
|
| Sci-Fi Sundays Vol. 7 | Sarah Hotchkiss | 1/21/2022 |
OS.32723.HO
|
| Docile | David Kasprzak | 1/21/2022 |
OS.32724.KA
|
| Diabolus Ex Machina | David Kasprzak | 1/21/2022 |
OS.32725.KA
|