Berlin
Title |
Artist(s)/Author(s) | Date Acquired | Reference # |
|---|---|---|---|
| (WHITE) | Malte Cornelius Jantzen, Paul Novik | 10/29/2015 |
B.16001.JA
|
| A Vision In Time | Pablo Pinjnappel | 3/27/2014 |
ST.3504.PI
|
| ATLANTIS 3000 | AA Blue, Andi Fischer, Conny Maier, Michael Guenzer, Paul Niedermayer, Ricardo Passaporte, Dennis Buck, Michael Guenzer | 9/23/2022 |
OS.34047.BL
|
| Being Together Precedes Being | Joshua Simon | 10/10/2019 |
ST.31313.SI
|
| Being Together Precedes Being | Joshua Simon | 12/7/2019 |
ST.31380.SI
|
| Berliner Festspiele | Christiane Baumgartner, Hanns Zischler | 1/16/2016 |
ST.16892.BA
|
| Berliner Festspiele | Marcel van Eeden | 1/16/2016 |
ST.16894.VA
|
| Berliner Festspiele | Mark Z. Danielewski, Jorinde Voigt | 1/16/2016 |
ST.16897.DA
|
| Berliner Sonette | Ruprecht von Kaufman, Gregor Sanoer | 5/1/2014 |
ST.3679.VO
|
| cloudbuster project maroc | Christopher Keller | 4/16/2023 |
ST.34730.KE
|
| Club Univers | Chus Martinez | 5/3/2017 |
ST.28062.MA
|
| Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios | Maria Lind, Olav Velthuis | 12/7/2019 |
ST.31379.LI
|
| Corporate Mentality | Alexsandra Mir | 3/27/2014 |
ST.3386.MI
|
| Disproof Does Not Equal Disbelief | Michael Stevenson | 6/17/2022 |
ST.33267.ST
|
| Disproof Does Not Equal Disbelief | Michael Stevenson | 6/17/2022 |
ST.33268.ST
|
| ECE | Markus Miessen | 3/27/2014 |
ST.3489.MI
|
| Fetishes of Crisis Big Minis | 3/27/2014 |
OS.3558.VA
|
|
| Fraternal Patterns | Hailey Loman | 3/27/2014 |
ST.3435.LO
|
| from an apparent contradiction in Arendt to a working group method | Fred Dewey | 10/28/2017 |
OS.29367.DE
|
| Generous Structures Casco Issues XII | 3/27/2014 |
ST.3559.VA
|
|
| Hubert Fichte: The Black City | Hubert Fichte, Diedrich Diederichsen, Anselm Franke | 1/13/2019 |
ST.30903.FI
|
| In a Manner of Reading Design (The Blind Spot) | Katja Gretzinger | 1/27/2019 |
ST.30977.GR
|
| Is It My Body? Selected Texts | Kim Gordon | 4/27/2017 |
ST.27944.GO
|
| Matter of Perspective | Lisa Jugert | 2/8/2017 |
ST.25813.JU
|
| Notes on the Meander | Wolf von Kries | 6/30/2015 |
10954.KR
|
| Objects to be destroyed (Wedding 1976-82) | Olga Hohmann, Philipp Farra | 3/26/2024 |
OS.36223.HO
|
| On Distance | Boaz Levin | 12/7/2020 |
OS.31983.LE
|
| Pop Or Populus | Bettina Funcke | 3/27/2014 |
ST.3403.FU
|
| Queer Formalism: The Return | William J. Simmons | 9/1/2022 |
33809.SI
|
| S ND Y P RL RS / NADA SPLIT | Malte Cornelius Jantzen, Felix-Florian Tödtloff , Lars Ennsen, SNDY PRLRS | 10/29/2015 |
B.16004.JA
|
| Settings | Taft Green | 6/24/2014 |
ST.3730.GR
|
| Survival of an Idea | Özlem Altin | 12/10/2015 |
ST.16624.AL
|
| The Contemporary Condition: A Slow, Contemporary Violence: Damaged Environments of Technological Culture | Jussi Parikka | 5/3/2017 |
ST.28069.PA
|
| The Contemporary Condition: Introductory Thoughts on Contemporaneity & Contemporary Art | Geoff Cox | 5/3/2017 |
ST.28071.CO
|
| The Contemporary Condition: The Contemporary Composition | Terry Smith | 5/3/2017 |
ST.28066.SM
|
| The Future of the Past | Ricardo Bofill | 4/27/2017 |
ST.27954.BO
|
| The Invisible Archive: Annie Sprinkle and Beth Stephens (No. 3) | Saskia Vogel, Annie Sprinkle, Beth Stephens | 11/11/2023 |
35712.VO
|
| The Invisible Archive: Caroline Boettcher (No. 2) | Mario Margani, Caroline Boettcher | 11/11/2023 |
ST.35705.MA
|
| The Meaning of Flowers | Alexsandra Mir | 3/27/2014 |
ST.3387.MI
|
| The Proposal | Jill Magid | 5/3/2017 |
ST.28057.MA
|
| The Seven Most Exciting Hours of Mr. Triers Life in Twenty-Four Chapters | Keren Cytter | 3/27/2014 |
ST.3474.CY
|
| United States of Latin America | Jens Hoffmann, Pablo Leon de la Barra | 4/12/2017 |
ST.27592.HO
|
| Urban Images Unruly Desires in Film and Architecture | Synne Bull, Marit Paasche | 3/27/2014 |
ST.3532.BU
|
| We Beg You To Seduce Us! | Carola Schmidt | 3/25/2021 |
B.32278.SC
|